{"id":15,"date":"2017-03-08T03:21:24","date_gmt":"2017-03-08T03:21:24","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/arth310brown\/?page_id=15"},"modified":"2017-05-04T18:31:35","modified_gmt":"2017-05-04T18:31:35","slug":"gallery","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/arth310brown\/gallery\/","title":{"rendered":"Gallery"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_115\" aria-describedby=\"caption-attachment-115\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-43-521.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-115 size-full\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-43-521.png\" alt=\"ALEXANDER JOHN ELLIS (English, I818-I89O), Pompeii, the West Side of the Street of the Tombs with the remains o[ the Ancient Inn and (so called) Herculanean Gate. From the room built for the Custodi in the house called the Villa of Diomed, April zz, 184r. Daguerreotype, 15.2 x 21 cm (6 x 8.25 in.). National Museum of Film, Photography and Television, Bradford, UK.\" width=\"700\" height=\"512\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-43-521.png 700w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-43-521-300x219.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><figcaption id=\"caption-attachment-115\" class=\"wp-caption-text\">Alexander John Ellis (English), Pompeii, the West Side of the Street of the Tombs with the remains of the Ancient Inn and (so called) Herculanean Gate. From the room built for the Custodi in the house called the Villa of Diomed, April 22, 1841. Daguerreotype<\/figcaption><\/figure>\n<figure id=\"attachment_130\" aria-describedby=\"caption-attachment-130\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-44-261-e1490152758934.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-130\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-44-261-e1490152758934.png\" alt=\"Fratelli Amodio (Italian, active between 1860-1870), Pompeii, empreinte humaine a esclave, fouilles 1863 (Pompeii, human imprint, a slave, 1863 excavations), ca. 1873. Albumen silver print, 20.3 x 25.4 cm (8 x 10in.).\" width=\"700\" height=\"557\" \/><\/a><figcaption id=\"caption-attachment-130\" class=\"wp-caption-text\">Fratelli (Michele) Amodio (Italian), Pompeii, empreinte humaine a esclave, fouilles 1863 (Pompeii, human imprint, a slave, 1863 excavations), 1873. Albumen silver print<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_145\" aria-describedby=\"caption-attachment-145\" style=\"width: 593px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/GWBridges_Pompeii.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-145\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/GWBridges_Pompeii.jpg\" alt=\"Rev. George Wilson Bridges, Pompeii, Amphiteater, 1860s?\" width=\"593\" height=\"436\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/GWBridges_Pompeii.jpg 593w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/GWBridges_Pompeii-300x221.jpg 300w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><figcaption id=\"caption-attachment-145\" class=\"wp-caption-text\">Rev. George Wilson Bridges, Pompeii, Amphitheater, 1860s?<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_59\" aria-describedby=\"caption-attachment-59\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-50-03.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-59\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-50-03.png\" alt=\"Giorgio Sommer (Germany, 1834-1914, active in Italy), The Temple of Fortuna Augusta (The Temple of Fortuna Augusta, Pompeii), 1870ca. Hand-colored albumen silver print, 19.7 x 25.4 cm {~ JZ \/ AX 10 in.), GRI 2003.R.14 *.\" width=\"700\" height=\"520\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-50-03.png 700w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/schermata-04-2456771-alle-12-50-03-300x223.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><figcaption id=\"caption-attachment-59\" class=\"wp-caption-text\">Giorgio Sommer (Germany), The Temple of Fortuna Augusta (The Temple of Fortuna Augusta, Pompeii), 1870, Hand-colored albumen silver print<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_118\" aria-describedby=\"caption-attachment-118\" style=\"width: 564px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/f970d105f436815ebbdf632956c103b3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-118 size-full\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/f970d105f436815ebbdf632956c103b3.jpg\" alt=\"Temple of the Genius of Augustus, called, Temple of Mercury&quot;. Really it is the Temple of Vespasian. Pompeii, 1870. \" width=\"564\" height=\"436\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/f970d105f436815ebbdf632956c103b3.jpg 564w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/f970d105f436815ebbdf632956c103b3-300x232.jpg 300w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/a><figcaption id=\"caption-attachment-118\" class=\"wp-caption-text\">Giacomo Brogi (Italian), Temple of the Genius of Augustus, called Temple of Mercury. Really it is the Temple of Vespasian. Pompeii, 1870<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_235\" aria-describedby=\"caption-attachment-235\" style=\"width: 480px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fratelli-Alinari-1900-Glass-Plate-Fresoces-inside-house-in-Pompei-Silver-salt-gelatin.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-235 size-full\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fratelli-Alinari-1900-Glass-Plate-Fresoces-inside-house-in-Pompei-Silver-salt-gelatin.jpg\" alt=\"Fratelli Alinari, House of the Vettii, 1900, Glass Plate, Silver salt gelatin. Courtesy of Fine Art Images\/Alinari Archives, Firenze\" width=\"480\" height=\"370\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fratelli-Alinari-1900-Glass-Plate-Fresoces-inside-house-in-Pompei-Silver-salt-gelatin.jpg 480w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fratelli-Alinari-1900-Glass-Plate-Fresoces-inside-house-in-Pompei-Silver-salt-gelatin-300x231.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-235\" class=\"wp-caption-text\">Fratelli Alinari, House of the Vettii, 1900, Glass Plate, Silver salt gelatin. Courtesy of Fine Art Images\/Alinari Archives, Firenze<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_204\" aria-describedby=\"caption-attachment-204\" style=\"width: 654px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fotografo-della-Soprintendenza-Calchi-di-vittime-1915-fotografia-su-scheda-Archivio-fotografico-Soprintendenza-Speciale-per-Pompei-Ercolano-e-Stabia.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-204\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fotografo-della-Soprintendenza-Calchi-di-vittime-1915-fotografia-su-scheda-Archivio-fotografico-Soprintendenza-Speciale-per-Pompei-Ercolano-e-Stabia.jpg\" alt=\"Fotografo della Soprintendenza Calchi di vittime 1915, fotografia su scheda Archivio fotografico Soprintendenza Speciale per Pompei, Ercolano e Stabia\" width=\"654\" height=\"478\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fotografo-della-Soprintendenza-Calchi-di-vittime-1915-fotografia-su-scheda-Archivio-fotografico-Soprintendenza-Speciale-per-Pompei-Ercolano-e-Stabia.jpg 2966w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fotografo-della-Soprintendenza-Calchi-di-vittime-1915-fotografia-su-scheda-Archivio-fotografico-Soprintendenza-Speciale-per-Pompei-Ercolano-e-Stabia-300x219.jpg 300w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fotografo-della-Soprintendenza-Calchi-di-vittime-1915-fotografia-su-scheda-Archivio-fotografico-Soprintendenza-Speciale-per-Pompei-Ercolano-e-Stabia-768x561.jpg 768w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Fotografo-della-Soprintendenza-Calchi-di-vittime-1915-fotografia-su-scheda-Archivio-fotografico-Soprintendenza-Speciale-per-Pompei-Ercolano-e-Stabia-1024x748.jpg 1024w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/a><figcaption id=\"caption-attachment-204\" class=\"wp-caption-text\">Unknown, two plaster casts of two bodies of the victims embracing from excavations of the garden of the House of Cryptoporticus or House of T. Lucretius Carus, Pompeii, 1916?<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_192\" aria-describedby=\"caption-attachment-192\" style=\"width: 485px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Spinazzola-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-192 size-full\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Spinazzola-.jpg\" alt=\"This photo shows the workman, clearing debris, whilst being supervised under the watchful eye of Spinazzola himself (in the dark suit at the top). Part of the aim of the photographic documentation, and one that anyone with field experience is familiar with today, is to preserve a record of how any particular area is being excavated. In addition, Spinazzola was interested in showing the extent of the work being carried out. The photo below is striking, not just for the length of the area being cleared along the Via dell\u2019Abbondanza, but also for showing how much of the ruins had yet to be uncovered just a century ago (you can just see the upper levels of the amphitheatre in the distance).\" width=\"485\" height=\"384\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Spinazzola-.jpg 485w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Spinazzola--300x238.jpg 300w\" sizes=\"auto, (max-width: 485px) 100vw, 485px\" \/><\/a><figcaption id=\"caption-attachment-192\" class=\"wp-caption-text\">Unknown, Pompeii: workman clearing debris, supervised by Vittorio\u00a0Spinazzola (in the dark suit at the top) along Via dell\u2019Abbondanza, 1910?<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_198\" aria-describedby=\"caption-attachment-198\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Pompei-danni-del-bombardamento-americano-del-1943.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-198\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Pompei-danni-del-bombardamento-americano-del-1943.jpg\" alt=\"Pompei, danni del bombardamento americano del 1943\" width=\"410\" height=\"253\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Pompei-danni-del-bombardamento-americano-del-1943.jpg 410w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Pompei-danni-del-bombardamento-americano-del-1943-300x185.jpg 300w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/a><figcaption id=\"caption-attachment-198\" class=\"wp-caption-text\">Unknown, Pompei, after the bombing of Pompeii by American Forces, 1943<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_64\" aria-describedby=\"caption-attachment-64\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Oplontis-atrium-5-west-wall-at-beginning-of-excavations.-Photo-courtesy-the-Soprintendenza-Archaeologica-di-Pompei-De-Francisis-Archive-dia-9.392.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-64\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Oplontis-atrium-5-west-wall-at-beginning-of-excavations.-Photo-courtesy-the-Soprintendenza-Archaeologica-di-Pompei-De-Francisis-Archive-dia-9.392.jpg\" alt=\"Oplontis, atrium 5, west wall, at beginning of excavations. Photo courtesy the Soprintendenza Archaeologica di Pompei, De Francisis Archive, dia 9.392\" width=\"640\" height=\"468\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Oplontis-atrium-5-west-wall-at-beginning-of-excavations.-Photo-courtesy-the-Soprintendenza-Archaeologica-di-Pompei-De-Francisis-Archive-dia-9.392.jpg 640w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/Oplontis-atrium-5-west-wall-at-beginning-of-excavations.-Photo-courtesy-the-Soprintendenza-Archaeologica-di-Pompei-De-Francisis-Archive-dia-9.392-300x219.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><figcaption id=\"caption-attachment-64\" class=\"wp-caption-text\">Stanley Jashemski (American), Oplontis, atrium 5, west wall, at beginning of excavations. 1964?<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_124\" aria-describedby=\"caption-attachment-124\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/heb90048.0338.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-124 size-full\" src=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/heb90048.0338.jpg\" alt=\"Stanley Jaskemski, 1960. Oplontis Gardens. Plaster casts being created for the root cavities. \" width=\"450\" height=\"314\" srcset=\"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/heb90048.0338.jpg 450w, https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-content\/uploads\/sites\/318\/2017\/03\/heb90048.0338-300x209.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-124\" class=\"wp-caption-text\">Stanley Jaskemski (American), Oplontis Gardens. Plaster casts being created for the root cavities, 1960<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n","protected":false},"author":672,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/users\/672"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":27,"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":382,"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/pages\/15\/revisions\/382"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/arth310brown\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}