{"id":476,"date":"2023-04-30T16:58:43","date_gmt":"2023-04-30T21:58:43","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/?page_id=476"},"modified":"2023-05-01T14:16:54","modified_gmt":"2023-05-01T19:16:54","slug":"indigenous-relationship-to-whales","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/indigeneity-and-the-whale-sanctuary-project\/indigenous-relationship-to-whales\/","title":{"rendered":"Indigenous Relationship to Whales"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The relationship between Mi\u2019kmaq, on whose lands now resides the whale sanctuary, and whales, is embedded in their culture and mythology, and both of their stories are pervaded by themes of loss and displacement. The Mi\u2019kmaq traveled with and on the ocean until forced relocation interrupted their movement. The kidnapping of whales disconnected them from the vast ocean where both their identity and autonomy are rooted. Mi\u2019kmaq artists have explored this parallel journey in the exhibit <em><a href=\"https:\/\/agns.ca\/\" data-type=\"URL\" data-id=\"https:\/\/agns.ca\/\">The Path We Share<\/a><\/em>. Alan Syliboy, one of the artists with this project, relates indigeneity to whales, as loss of autonomy, erasure, and isolation are resonant in both of their histories.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Indigeneity being purposefully erased from the land and sea is resulting in declining numbers of both the Mi\u2019kmaq and the whales.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><img decoding=\"async\" width=\"230px;\" height=\"183px;\" src=\"https:\/\/lh3.googleusercontent.com\/ahAwIE2jZy-sxE7P7WZ9LvFXLePKwEDUNhfAdxqLfE2m-gXFwjzrtBQsS_xkSEt1_V3uKnIyrQ85g5rAylW9TiIa8NHMzB8mu29K3YCZdwcDuetQ3HlhTbME0cyro2BTEqbWGwWw5IZZGJUa4UiLDV9tDA=s2048\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The <a href=\"https:\/\/whalesanctuaryproject.org\/\" data-type=\"URL\" data-id=\"https:\/\/whalesanctuaryproject.org\/\">Whale Sanctuary Project<\/a> has the potential to restore indigeneity to the landscape. Chief Bob Chamberlin of the Kwikwasut\u2019inuxw Haxwa\u2019mis First Nation introduced this theme of reconciliation to the project. \u201cIt\u2019s time,\u201d he said, \u201cto bring about reconciliation with our fellow animals and the natural world.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While feelings of exploitation have long saturated the discussion surrounding whales and Mi\u2019kmaq and First Nations, the Whale Sanctuary Project intends to dignify these conversations with sentiments of healing and restoration.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"777\" height=\"1024\" src=\"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-content\/uploads\/sites\/864\/2023\/04\/zine-bg2-1-777x1024.png\" alt=\"\" class=\"wp-image-523\" srcset=\"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-content\/uploads\/sites\/864\/2023\/04\/zine-bg2-1-777x1024.png 777w, https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-content\/uploads\/sites\/864\/2023\/04\/zine-bg2-1-228x300.png 228w, https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-content\/uploads\/sites\/864\/2023\/04\/zine-bg2-1-768x1012.png 768w, https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-content\/uploads\/sites\/864\/2023\/04\/zine-bg2-1-1166x1536.png 1166w, https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-content\/uploads\/sites\/864\/2023\/04\/zine-bg2-1.png 1180w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><figcaption>Pixel Illustration of dolphins with flowers in the background, art by Shuyi Ye.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><a style=\"font-weight: bold\" href=\"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/indigeneity-and-the-whale-sanctuary-project\/\" data-type=\"URL\" data-id=\"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/indigeneity-and-the-whale-sanctuary-project\/\">\u23eaBack to Main Page<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\"><strong><strong><a href=\"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/indigeneity-and-the-whale-sanctuary-project\/diving-deeperthe-lummi-nation-and-toki\/\">Diving Deeper<\/a><\/strong><\/strong>\u23e9<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The relationship between Mi\u2019kmaq, on whose lands now resides the whale sanctuary, and whales, is embedded in their culture and mythology, and both of their stories are pervaded by themes of loss and displacement. The Mi\u2019kmaq traveled with and on the ocean until forced relocation interrupted their movement. The kidnapping of whales disconnected them from [&hellip;]<\/p>\n","protected":false},"author":2306,"featured_media":0,"parent":20,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-476","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/pages\/476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/users\/2306"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/comments?post=476"}],"version-history":[{"count":9,"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/pages\/476\/revisions"}],"predecessor-version":[{"id":600,"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/pages\/476\/revisions\/600"}],"up":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/pages\/20"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/decolonizingmuseums23\/wp-json\/wp\/v2\/media?parent=476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}