{"id":113,"date":"2018-12-14T03:48:34","date_gmt":"2018-12-14T03:48:34","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/?page_id=113"},"modified":"2018-12-18T03:19:11","modified_gmt":"2018-12-18T03:19:11","slug":"setting-the-stage-the-physical-exhibit","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/setting-the-stage-the-physical-exhibit\/","title":{"rendered":"Setting the Stage: The Physical Exhibit"},"content":{"rendered":"<figure id=\"attachment_160\" aria-describedby=\"caption-attachment-160\" style=\"width: 397px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-160\" src=\"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-content\/uploads\/sites\/503\/2018\/12\/Screen-Shot-2018-12-15-at-11.49.52-AM-300x197.png\" alt=\"\" width=\"397\" height=\"261\" srcset=\"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-content\/uploads\/sites\/503\/2018\/12\/Screen-Shot-2018-12-15-at-11.49.52-AM-300x197.png 300w, https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-content\/uploads\/sites\/503\/2018\/12\/Screen-Shot-2018-12-15-at-11.49.52-AM-768x504.png 768w, https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-content\/uploads\/sites\/503\/2018\/12\/Screen-Shot-2018-12-15-at-11.49.52-AM.png 961w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><figcaption id=\"caption-attachment-160\" class=\"wp-caption-text\">Entrance to The Buddhist Heritage of Pakistan, circa 2011<\/figcaption><\/figure>\n<p>Divided into three interconnected sections, the exhibit encompasses <em>Classical Connections, Narratives and Architectural Context, and Buddhas and Bodhisattvas, <\/em>each of which explores a distinct aspect of early Gandharan imagery and composition.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Divided into three interconnected sections, the exhibit encompasses Classical Connections, Narratives and Architectural Context, and Buddhas and Bodhisattvas, each of which explores a distinct aspect of early Gandharan imagery and composition.<\/p>\n","protected":false},"author":1064,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/full-width.php","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-113","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/pages\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/users\/1064"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/comments?post=113"}],"version-history":[{"count":3,"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/pages\/113\/revisions"}],"predecessor-version":[{"id":179,"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/pages\/113\/revisions\/179"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/gandharanreliefsfinalproject\/wp-json\/wp\/v2\/media?parent=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}