{"id":216,"date":"2018-05-03T21:28:30","date_gmt":"2018-05-03T21:28:30","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/?page_id=216"},"modified":"2018-05-06T20:52:39","modified_gmt":"2018-05-06T20:52:39","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/bibliografia\/","title":{"rendered":"Bibliografia"},"content":{"rendered":"<p><strong>Riviste accademiche e libri citati<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">Brunetta, Gian Piero.\u00a0<em>The History of Italian Cinema : A Guide to Italian Film from Its Origins to the Twenty-First Century.<\/em>\u00a0Princeton : Princeton University Press, \u00a92009., 2009.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">Courriol, Marie-France. &#8220;Documentary Strategies and Aspects of Realism in Italian Colonial Cinema (1935-1939).&#8221;\u00a0<em>Italianist: Journal of the Department of Italian Studies, University of Reading and of the Department of Italian, University of Cambridge<\/em>, vol. 34, no. 2, June 2014, pp. 122-141.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>&#8220;Documentary Strategies and Aspects of Realism in Italian Colonial Cinema (1935-1939).&#8221;<em> Italianist<\/em>, vol. 34, no. 2, June 2014, pp. 122-141.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">E. Mancini,\u00a0<em>Struggles of the Italian Film Industry during Fascism, 1930-1935<\/em>\u00a0(Ann Arbor: University of Michigan Press, 1985)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">F. Savio,\u00a0<em>Ma l\u2019amore no. Formalismo, propaganda e telefoni bianchi nel cinema italiano di regime<\/em>.<em>\u00a01930-1943<\/em>\u00a0(Milan: Sonzogno, 1975)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">J.A. Gili, <em>Stato fascista e cinematografia<\/em> (Rome: Bulzoni, 1981)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">&#8220;Present Memory &#8211; Fascism, Antifascism and Resistance in the Italian Documentary &#8211; Italian &#8211; Ciusa,F.&#8221;\u00a0<em>CINEFORUM,<\/em>\u00a0vol. 34, no. 5, n.d., p. 92.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">Taviani, Ermanno. &#8220;Il Cinema E La Propaganda Fascista.&#8221; [&#8220;Film and fascist propaganda&#8221;].\u00a0<em>Studi Storici,<\/em>\u00a0vol. 55, no. 1, pp. 241-256.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">Ventresca, Robert A. &#8220;Mussolini&#8217;s Ghost: Italy&#8217;s Duce in History and Memory.&#8221; History and Memory: Studies in Representation of the past, no. 1, 2006, p. 86.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;text-align: left\">Wagstaff, Christopher. &#8220;The Italian Cinema Industry during the Fascist Regime.&#8221; <em>The Italianist: Journal of the Department of Italian Studies, University of Reading<\/em>, vol. 4, 1984, pp. 160-174.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Video\u00a0<\/strong><\/p>\n<ul>\n<li>\u201cAli Fasciste. Attivit\u00e0 Della Nostra Aviazione Nel Mediterraneo Orientale.\u201d <em>Archivio Storico Luce<\/em>, Istituto Luce Cinecitt\u00e0, 15 June 2012, www.archivioluce.com.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"font-size: 1rem\">Forzano, Giovacchino, director.<\/span><span style=\"font-size: 1rem\">\u00a0<\/span><em style=\"font-size: 1rem\">Camicia Nera<\/em><span style=\"font-size: 1rem\">. Manifesto Zero, 14 Feb. 2017.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Miniero, Luca, director.\u00a0<i>Sono Tornato\u00a0<\/i>.\u00a0<i>Sono Tornato<\/i>, Coming Soon.it, 30 Jan. 2018, www.comingsoon.it\/film\/sono-tornato\/54147\/video\/?vid=28098.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><span style=\"font-size: 1rem\">\u201cMussolini, 1940, Dichiarazione Di Guerra .\u201d\u00a0<\/span><i style=\"font-size: 1rem\">Istituto Luce<\/i><span style=\"font-size: 1rem\">, Istituto Luce Cinecitt\u00e0, 24 May 2012, www.archivioluce.com.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>Pasinetti, Francesco, director. <em>I Piccioni Di Venezia<\/em>. Istituto Luce Cinecitt\u00e0, 21 May 2015, www.archivioluce.com .<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>\u201cRoma. Giovinezza in Marica. 50,000 Avanguardisti Del Campo Dux Sfilano per Le Vie Dell&#8217;Urbe.\u201d\u00a0<i>Istituto Luce Cinecitt\u00e0<\/i>, Archivio Storico Luce, 15 June 2012, www.archivioluce.com.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Riviste accademiche e libri citati &nbsp; Brunetta, Gian Piero.\u00a0The History of Italian Cinema : A Guide to Italian Film from Its Origins to the Twenty-First Century.\u00a0Princeton : Princeton University Press, \u00a92009., 2009. &nbsp; Courriol, Marie-France. &#8220;Documentary Strategies and Aspects of Realism in Italian Colonial Cinema (1935-1939).&#8221;\u00a0Italianist: Journal of the Department of Italian Studies, University of &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/bibliografia\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Bibliografia&#8221;<\/span><\/a><\/p>\n","protected":false},"author":19,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-216","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/pages\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":13,"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/pages\/216\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/pages\/216\/revisions\/335"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/ilcinemaitalianodipropagandafascista\/wp-json\/wp\/v2\/media?parent=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}