Still

Created as a gift, this sculpture combines three metallic colors with the different wires.

The entirety is self-supported and strengthen through the twisted structure of the wire. Approx. 12in x 12 in x 8in.

Life Shot

A painting of various object’s from Megan’s life from the stuffed moose in the upper right for babyhood to the form titled “Study…” for the study abroad. This circularly movement spirals into the center where wood grain references Megan’s rural childhood yet the open spot indicates the possibilities that the future holds.

This was created as the final, open-ended project for Narrative Painting.

Memories

A paper cast of Megan’s desk laid over a plexiglass frame and built with embedded colored thread.

The ghost like material of the paper reflects the etherealness of memories. More strongly still, the threads appear to run and pool across the top of the piece and, glance through the plexiglass, one can see the threads descending to coil on the tabletop, like a collection of ideas, dreams, and memories.

Handmade kozo paper, paper thread, natural dyes, plexiglass; 2018. Full size, approx. 36in x 48in x 24in. This was made for the class, Japanese Papermaking and Aesthetics.

Yesterday’s Tomorrow

A series of booklets connected with handmade kozo paper thread each containing a poem. These poems are: “The Wanderer,” “Silent Cry,” “The Lonely Willow,” “Lives of the Leaves (3 Parts),” The Deep of Winter,” “Lifeless,” “In Conclusion,” and were written and edited over a decade.

The story of these poems reflects the climactic plot rise of a narrative and intends to convey a sense of winter, the traditional season for making paper. The books have a very large sensory impact, the tactile feel of the handmade paper, the sound of the pages being turned, the faint smell of the fiber, the soft off-white of the paper and the gray to black of the ink. Beyond this, the books are bound together with lengths of paper thread, both indicating the order in which they are intended to be read and creating a shared community experience when multiple people interact with the collection simultaneously.

Handmade kozo paper, paper thread, sumi ink, wood, nails; 2018. Full size, approx. 24in x 36in x 2in, individual books vary from 3in x 4in x 0.5in to 4in x 8in x 0.5in. This was made for the class, Japanese Papermaking and Aesthetics.

The Void

An installation intended to require thought from the audience when interacted with. The work ignores spacing between words and zigzags the letters, demanding viewers to slow down and puzzle through the phrase. This is intended to also prompt thought as to the meaning, what “things” and what “void.”

There were also considerations taken in the placement as an outdoor installation. The paint allowed the end of the sentence to standout more, yet when the snow fell the reverse effect happened, helping to encourage more thought behind the meaning of the piece to viewers who saw it in both conditions. This was made for the class, Sculpture I.

Videos:

Fall: https://youtu.be/MpeYSr69yZE

Winter: https://youtu.be/1KBMZ6tb4r0

Wood, wood glue, black and white paint, ground stakes, 2017.