{"id":248,"date":"2016-03-07T18:43:33","date_gmt":"2016-03-07T18:43:33","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/?page_id=248"},"modified":"2017-10-31T21:43:59","modified_gmt":"2017-10-31T21:43:59","slug":"sources","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/about\/sources\/","title":{"rendered":"Sources d’images"},"content":{"rendered":"

Les portraits
\n<\/b>Matisse, Henri. <\/span>Femme au Chapeau (Woman with Hat)<\/span><\/i>. \u00a01905. Oil on canvas. 31 3\/4 in. x 23 1\/2 in.\u00a0<\/span>Collection SFMOMA<\/span><\/a>, San Francisco.<\/span><\/span><\/p>\n

Rijn, Rembrandt van. <\/span>Self Portrait.<\/span><\/i> 1660. Oil on canvas. 31 5\/8 x 26 1\/2 in. The<\/span> Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Sargent, John Singer. <\/span>Madame X<\/span><\/i>. 1883. Oil on canvas. 82 1\/8 x 43 1\/4in. The<\/span> Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Wiley, Kehinde. Michael Borges Study<\/em>. 2008. Watercolor, crayon on paper. 40 1\/8 in x 26 3\/8 in. Mount Holyoke College Art Museum<\/a>, South Hadley.<\/span><\/p>\n

Les paysages
\n<\/b>Hokusai, Katsushika .\u300c\u5bcc\u5dbd\u4e09\u5341\u516d\u666f\u3000\u795e\u5948\u5ddd\u6c96\u6d6a\u88cf\u300d<\/span>Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanj\u016brokkei)<\/span><\/i>. ca. 1830-32. Polychrome woodblock print; ink and color on paper. 10 1\/8 x 14 15\/16 in. <\/span>The Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Monet, Claude.\u00a0Landscape: The Parc Monceau.\u00a0<\/em>1876. Oil on canvas.\u00a023 1\/2 x 32 1\/2 in. The Metropolitan Museum of Art<\/a>, New York.\u00a0\u00a0<\/span><\/p>\n

Ruisdael, Jacob van. <\/span>A Landscape with a Ruined Castle and a Church<\/span><\/i>. c. 1665-70. Oil on canvas. 109 x 146 cm. <\/span>The National Gallery<\/span><\/a>, London, United Kingdom.<\/span><\/span><\/p>\n

L’expressionnisme
\n<\/b>de Kooning, Willem. Woman V. <\/i>1952\u201353. oil and charcoal on canvas 154.5 x 114.5 cm. \u00a0National Gallery of Australia<\/a>, Canberra.<\/span><\/p>\n

Munch, Edvard. The Scream<\/i>. 1893. Tempera and crayon on cardboard. 91 x 73.5 cm. The National Museum<\/a>, Oslo, Norway.<\/span><\/p>\n

Van Gogh, Vincent. Bedroom in Arles<\/i>. 1888. Oil on canvas. 72.4 cm x 91.3 cm. \u00a0Van Gogh Museum<\/a>, Amsterdam.<\/span><\/p>\n

L\u2019art abstrait
\n<\/b>Kandinsky, Vasily. <\/span>Circles in a Circle<\/span><\/i>. 1923. Oil on canvas. <\/span>38 7\/8 x 37 5\/8 inches.<\/span> \u00a0<\/span>Philadelphia Museum of Art<\/span><\/a>, Philadelphia.<\/span><\/span><\/p>\n

Mondriaan, Piet. <\/span>Victory Boogie Woogie<\/span><\/i>. 1942-1942. <\/span>Oil, tape, paper, charcoal, and pencil on canvas. 127.5 cm x 127.5 cm.<\/span> Gemeentemuseum Den Haag<\/span><\/a>, The Hague.<\/span><\/span><\/p>\n

Rothko, Mark. <\/span>Four Darks in Red<\/span><\/i>. 1958. Oil on canvas. <\/span>258.6 \u00d7 295.6 cm.<\/span> Whitney Museum of American Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

L\u2019art conceptuel
\n<\/b>Bochner, Mel. <\/span>Language is Not Transparent.<\/span><\/i> 1970. <\/span>Chalk on paint on wall. 72 x 48 inches.<\/span> Mel Bochner Archive<\/span><\/a>.*<\/span><\/span><\/p>\n

Kosuth, Joseph. <\/span>One and Three Chairs<\/span><\/i>. 1965. <\/span>Wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair”. Chair 32 3\/8 x 14 7\/8 x 20 7\/8″, photographic panel 36 x 24 1\/8″, text panel 24 x 30″.<\/span> Museum of Modern Art<\/span><\/a>, <\/span>New York.<\/span><\/span><\/p>\n

Magritte, Ren\u00e9. <\/span>The Treachery of Images (This is Not a Pipe).<\/span><\/i> 1929. Oil on canvas. <\/span>60.33 x 81.12 x 2.54 cm.<\/span> Los Angeles County Museum of Art<\/span><\/a>, Los Angeles.<\/span><\/span><\/p>\n

La photographie<\/b>
\n<\/strong>Burtynsky, Edward.\u00a0Nickel Tailings #30, Sudbury, Ontario<\/em>.\u00a0Chromogenic color print.\u00a039 15\/16 in x 60 1\/8 in. Mount Holyoke College Art Museum<\/a>, South Hadley.<\/span><\/p>\n

Daren, Maya. Portrait of Carol Janeway. 1943.\u00a0Gelatin silver print.\u00a012 3\/8 x 10 13\/16″. Museum of Modern Art<\/a>, New York.<\/span><\/p>\n

Stieglitz, Alfred.\u00a0Georgia O’Keeffe<\/em>. 1923.\u00a0Gelatin silver print.\u00a04 1\/4 x 3 1\/4″. Museum of Modern Art<\/a>, New York.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

*Autorisation d’utiliser cette image avec l’aimable autorisation de l’artiste.<\/p>\n

Website Header Image: Connett, Wendy. Gallery in the Metropolitan Museum of Art.<\/em> Digital image. Time Out New York. Web.<\/span><\/p>\n

D\u00e9claration du propos: <\/b><\/p>\n

Ce site web n\u2019a pas \u00e9t\u00e9 cr\u00e9\u00e9 pour des raisons commerciaux, mais pour les bienfaits de l\u2019\u00e9ducation. Nous avons surtout essay\u00e9 d\u2019utiliser des images dans le domaine public, d\u2019attribuer correctement chaque image, y compris celles avec droits d\u2019auteurs. <\/span>Envoyez un email \u00e0 l\u2019auteur <\/span><\/a>si vous trouvez une image en violation de la loi des droits d\u2019auteurs ou de l\u2019accord du donateur. Les images seront imm\u00e9diatement supprim\u00e9es pendant que la d\u00e9claration est sous investigation. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Les portraits Matisse, Henri. Femme au Chapeau (Woman with Hat). \u00a01905. Oil on canvas. 31 3\/4 in. x 23 1\/2 in.\u00a0Collection SFMOMA, San Francisco. Rijn, Rembrandt van. Self Portrait. 1660. Oil on canvas. 31 5\/8 x 26 1\/2 in. The Metropolitan Museum of Art, New York. Sargent, John Singer. Madame X. 1883. Oil on canvas. […]<\/p>\n","protected":false},"author":264,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/users\/264"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":5,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/248\/revisions"}],"predecessor-version":[{"id":1543,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/248\/revisions\/1543"}],"up":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/media?parent=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}