{"id":452,"date":"2016-09-22T19:58:58","date_gmt":"2016-09-22T19:58:58","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/?page_id=452"},"modified":"2017-04-10T00:04:48","modified_gmt":"2017-04-10T00:04:48","slug":"photography","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/photography\/","title":{"rendered":"La photographie"},"content":{"rendered":"<p><span style=\"font-weight: 400\">La photographie, en tant qu\u2019art, a commenc\u00e9 \u00e0 se d\u00e9velopper au milieu du dix neuvi\u00e8me si\u00e8cle. Traditionnellement, la photographie reposait sur les principes de l\u2019enregistrement de la lumi\u00e8re sur une \u00e9mulsion photosensible. R\u00e9cemment, la photographie num\u00e9rique a remplac\u00e9 la photochimie, transformant la nature de la photographie. Du point de vue artistique, la photographie \u00e9tait une repr\u00e9sentation du r\u00e9el d\u2019une fa\u00e7on r\u00e9aliste, provoquant ainsi une crise au sein de la peinture traditionnelle. Les images que vous allez observer dans cette unit\u00e9 ne devraient pas \u00eatre seulement compar\u00e9es les unes aux autres, mais aussi aux tableaux des unit\u00e9s pr\u00e9c\u00e9dentes, afin de comprendre la nature particuli\u00e8re de la photographie en tant qu\u2019art.<\/span><\/p>\n<h3 style=\"text-align: right\"><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/photography-1\/\">Commencer:<strong>\u00a0L\u2019exploration de la photographie<\/strong>\u00a0\u2192<\/a><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">S\u00e9lectionner une \u0153uvre ci-dessous pour continuer l\u00e0 o\u00f9 vous vous \u00eates arr\u00eat\u00e9.<\/span><\/p>\n<p><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/photography-1\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-458 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Alfred-Steiglitz_Georgia-O\u2019Keefe_1923-1-150x150.jpg\" alt=\"1. What features of this photographic portrait stand out for you? 2. Does this photograph contain an expression of the photographer\u2019s attitude towards its subject? 3. What does the photograph convey about the person portrayed in it? 4. How does learning that the person in the photograph is the photographer\u2019s wife change your understanding of it if at all?\" width=\"150\" height=\"150\" \/><\/a>\u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/photography-2\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-467 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Edward-Burtynsky_Nickel-Tailings-30-Sudbury-Ontario_1996_-150x150.jpg\" alt=\"1. What elements of this photograph stand out for you? 2. Do you think this photograph is beautiful? 3. What attitude do you think the photographer has towards nature? 4. How does finding out that the intense colors in this photograph are due to toxic chemicals that have been dumped onto the land?\" width=\"150\" height=\"150\" \/><\/a>\u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/photography-3\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-468 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Maya-Daren_Portrait-of-Carol-Janeway_1943-150x150.jpg\" alt=\"1. Is this photograph realistic? 2. How do you think it was made? 3. What is the significance of the fact that this photograph is composed of two different images? 4. Is this photograph a trick? 5. Does it convey something specific about the sitter?\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Philosophy-@-The-Virtual-Art-Museum-La-photographie-Fran\u00e7ais.pdf\">Cliquer ici pour acc\u00e9der \u00e0 la version imprimable de cette section.<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>La photographie, en tant qu\u2019art, a commenc\u00e9 \u00e0 se d\u00e9velopper au milieu du dix neuvi\u00e8me si\u00e8cle. Traditionnellement, la photographie reposait sur les principes de l\u2019enregistrement de la lumi\u00e8re sur une \u00e9mulsion photosensible. R\u00e9cemment, la photographie num\u00e9rique a remplac\u00e9 la photochimie, transformant la nature de la photographie. Du point de vue artistique, la photographie \u00e9tait une [&hellip;]<\/p>\n","protected":false},"author":264,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-452","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/users\/264"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/comments?post=452"}],"version-history":[{"count":3,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/452\/revisions"}],"predecessor-version":[{"id":1506,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/452\/revisions\/1506"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/media?parent=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}