{"id":876,"date":"2017-01-06T18:23:10","date_gmt":"2017-01-06T18:23:10","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/?page_id=876"},"modified":"2017-04-06T23:29:53","modified_gmt":"2017-04-06T23:29:53","slug":"additional-resources","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/additional-resources\/","title":{"rendered":"Ressources pour d\u2019autres discussions"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Les unit\u00e9s sur ce site web utilisent les \u0153uvres d\u2019art pour introduire des sujets pour des discussions philosophiques. Un bon nombre d&#8217;enseignants ont demand\u00e9 de l\u2019aide pour parler des sujets de ces unit\u00e9s plus en profondeur. Cette page donne les moyens \u00e0 vos \u00e9l\u00e8ves d\u2019approfondir leurs id\u00e9es. <\/span><\/p>\n<p>La fa\u00e7on la plus \u00e9vidente de continuer et de donner des textes sur les sujets de votre choix \u00e0 vos \u00e9l\u00e8ves et puis d\u2019en discuter. Comme vous devez le savoir, les textes philosophiques peuvent \u00eatre difficiles, donc il vaudrait mieux donner une section d\u2019un des articles \u00e0 lire \u00e0 vos \u00e9l\u00e8ves. Malheureusement, \u00e0 cause des droits d\u2019auteur, je ne peux pas poster des articles pour que vous puissiez les partager avec vos \u00e9l\u00e8ves.<\/p>\n<p>Ce que j\u2019ai fourni est donc une s\u00e9lection de liens \u00e0 des articles et quand il y a un rapport, \u00e0 l\u2019encyclop\u00e9die en ligne de Standford (\u201cSEP\u201d en anglais), des podcasts de Philosophy Talk et quelques articles de Philosophy Now.<\/p>\n<p>SEP est une excellente ressource pour la philosophie. Chaque entr\u00e9e a une excellente bibliographie que je vous conseille d\u2019utiliser. Contrairement \u00e0 Wikipedia, cette source est une bonne r\u00e9f\u00e9rence et est compl\u00e8tement fiable. Les articles sont \u00e9crits d\u2019un niveau \u00e9lev\u00e9 donc vos \u00e9l\u00e8ves risquent d\u2019avoir besoin de votre aide pour comprendre. Les articles sont souvent tr\u00e8s compr\u00e9hensifs.<\/p>\n<p>Une autre ressource que j\u2019ai fourni est le podcast Philosophy Talk. Des philosophes connus discutent des probl\u00e8mes d\u2019une mani\u00e8re accessible. J\u2019ai inclus des liens quand la discussion \u00e0 rapport avec l\u2019unit\u00e9. Philosophy Now est un journal connu qui discute de probl\u00e8mes philosophiques. Les contributions ne sont pas toutes aussi bonnes les unes que les autres, mais vous pouvez trouver des id\u00e9es de discussions int\u00e9ressantes et toutes les dissertations sont accessibles.<\/p>\n<p><span style=\"font-weight: 400\">Contactez-moi si vous avez besoin de plus d\u2019aide.<\/span><\/p>\n<h1 style=\"text-align: left\"><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/portraits\/\">Unit\u00e9 1: Les portraits<\/a><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-26 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/wp-content\/uploads\/sites\/19\/2016\/02\/Madame_X_Madame_Pierre_Gautreau_John_Singer_Sargent_1884_unfree_frame_crop-e1456618115390-148x150.jpg\" width=\"148\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Matisse-Woman-with-a-Hat-150x150.jpg\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-410 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/mh_2012_l3_v1-150x150.jpg\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-28 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Rembrant_Self-Portrait_1660-150x150.jpg\" width=\"150\" height=\"150\" \/><\/p>\n<p><span style=\"font-weight: 400\">Les trois probl\u00e8mes suivants ont \u00e9t\u00e9 dress\u00e9s \u00e0 la fin de l\u2019unit\u00e9: la nature de la beaut\u00e9; comment la connaissance de notre propre esprit est diff\u00e9rente de la connaissance de l\u2019esprit des autres; et si le \u201cregard de l\u2019autre\u201d \u00e9tait toujours objectif. Ces questions sont difficiles et int\u00e9ressantes.<\/span><\/p>\n<h5>La beaut\u00e9<\/h5>\n<p>https:\/\/plato.stanford.edu\/entries\/beauty\/<\/p>\n<p>https:\/\/www.philosophytalk.org\/shows\/what-beauty<\/p>\n<h5>La connaissance de notre propre esprit<\/h5>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/self-knowledge\/\">https:\/\/plato.stanford.edu\/entries\/self-knowledge\/<\/a><\/p>\n<p><a href=\"https:\/\/www.philosophytalk.org\/shows\/self-and-self-presentation\">https:\/\/www.philosophytalk.org\/shows\/self-and-self-presentation<\/a><\/p>\n<h5>L\u2019objectification<\/h5>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/sartre\/#Ont\">https:\/\/plato.stanford.edu\/entries\/sartre\/#Ont<\/a>, Section 2.<\/p>\n<h5>Sartre<\/h5>\n<p><a href=\"https:\/\/www.philosophytalk.org\/shows\/jean-paul-sartre\">https:\/\/www.philosophytalk.org\/shows\/jean-paul-sartre<\/a><\/p>\n<h5>L\u2019art \u00e9rotique et obsc\u00e8ne<\/h5>\n<div><a href=\"https:\/\/plato.stanford.edu\/entries\/erotic-art\/\" target=\"_blank\">https:\/\/plato.stanford.edu\/entries\/erotic-art\/<\/a><\/div>\n<p>&nbsp;<\/p>\n<h1><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/landscapes\/\">Unit\u00e9 2: Les paysages<\/a><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-282 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/N-0990-00-000027-wpu-150x150.jpg\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-343 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Monet-150x150.jpg\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-56 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/1200px-Great_Wave_off_Kanagawa2-150x150.jpg\" width=\"150\" height=\"150\" \/><\/p>\n<p><span style=\"font-weight: 400\">Les \u00e9thiques environnementales sont discut\u00e9s dans cette unit\u00e9.<\/span><\/p>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/ethics-environmental\/\">https:\/\/plato.stanford.edu\/entries\/ethics-environmental\/<\/a><\/p>\n<p><a href=\"https:\/\/www.philosophytalk.org\/shows\/progress-and-environment\">https:\/\/www.philosophytalk.org\/shows\/progress-and-environment<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/expressionism\/\">Unit\u00e9 3: L&#8217;expressionnisme<\/a><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-161 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Van-Gogh-150x150.jpg\" alt=\"Vincent Van Gogh, Bedroom in Arles, 1888, Van Gogh Museum\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-162 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Munch-150x150.jpg\" alt=\"Edvard Munch, The Scream, 1893 National Gallery Oslo Norway\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-163 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/de-Kooning-150x150.jpg\" alt=\"Willem de Kooning, Woman V (1952\u201353), National Gallery of Australia\" width=\"150\" height=\"150\" \/><\/p>\n<p><span style=\"font-weight: 400\">Cette unit\u00e9 se concentre sur la nature de nos \u00e9motions, un th\u00e8me central dans la philosophie de l\u2019esprit et de la science cognitive.<\/span><\/p>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/emotion\/\">https:\/\/plato.stanford.edu\/entries\/emotion\/<\/a><\/p>\n<p><a href=\"https:\/\/www.philosophytalk.org\/shows\/indispensible-emotions\">https:\/\/www.philosophytalk.org\/shows\/indispensible-emotions<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/abstract-art\/\">Unit\u00e9 4: L\u2019art abstrait<\/a><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-90 alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Vassily_Kandinsky_1923_-_Circles_in_a_Circle-150x150.jpg\" alt=\"1. What are the most prominent features of this painting? 2. How does the presence of the intersecting tan and green figures affect your experience of the painting? The large black circle? 3. Are there any elements of the painting that remind you of landscapes? Of anything else? 4. Do you think this painting is beautiful?\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-87 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Piet_Mondriaan_Victory_Boogie_Woogie-150x150.jpg\" alt=\"1. What features of this painting strike you right away? 2. Does the painting remind you of anything? 3. If it does, do you think the painting is not really abstract? 4. How does the title of the painting affect your viewing of it? Do you know what \u201cvictory\u201d and \u201cboogie woogie\u201d refer to?\" width=\"150\" height=\"150\" srcset=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Piet_Mondriaan_Victory_Boogie_Woogie-150x150.jpg 150w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Piet_Mondriaan_Victory_Boogie_Woogie-300x300.jpg 300w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Piet_Mondriaan_Victory_Boogie_Woogie-768x768.jpg 768w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Piet_Mondriaan_Victory_Boogie_Woogie-1024x1024.jpg 1024w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Piet_Mondriaan_Victory_Boogie_Woogie-1200x1200.jpg 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-89 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/RothkoFourDarksRed-150x150.jpg\" alt=\"1. How does this painting differ from the other abstract paintings you have seen? 2. How do the large, rectangular fields of color affect you? 3. What do you think the artist is trying to communicate? 4. Do you think this painting is beautiful?\" width=\"150\" height=\"150\" \/><\/p>\n<p><span style=\"font-weight: 400\">Ici, le th\u00e8me de la signification de l\u2019abstrait aborde les th\u00e8mes de la philosophie du langage, surtout de la diff\u00e9rence entre la description et l\u2019\u00e9valuation. <\/span><\/p>\n<h5>Les objets abstraits<\/h5>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/abstract-objects\/\">https:\/\/plato.stanford.edu\/entries\/abstract-objects\/<\/a><\/p>\n<h5>Qu\u2019est-ce l\u2019art?<\/h5>\n<p><a href=\"https:\/\/www.philosophytalk.org\/shows\/what-art\">https:\/\/www.philosophytalk.org\/shows\/what-art<\/a><\/p>\n<h5>Les id\u00e9es abstraites<\/h5>\n<p><span style=\"font-weight: 400\">Entre John Locke et George Berkeley, il y a une controverse int\u00e9ressante sur le raisonnement s\u2019il peut y avoir des id\u00e9es abstraites. L\u2019introduction des <\/span><a href=\"http:\/\/www.earlymoderntexts.com\/assets\/pdfs\/berkeley1710.pdf\"><span style=\"font-weight: 400\">Principes de la connaissance humaine<\/span><\/a><span style=\"font-weight: 400\"> de Berkeley contient une bonne pr\u00e9sentation de la th\u00e9orie et la critique de Berkeley. <\/span><\/p>\n<p>&nbsp;<\/p>\n<h1><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/conceptual-art\/\">Unit\u00e9 5: L\u2019art conceptuel<\/a><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-115 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/The-Treachery-of-Images-150x150.jpg\" alt=\"Ren\u00e9 Magritte, The Treachery of Images\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-116 alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/One-and-Three-Chairs-150x150.jpg\" alt=\"Joseph Kosuth, One and Three Chairs\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-114 alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Language-Is-Not-Transparent-copy-150x150.jpg\" alt=\"Mel Bochner, Language is Not Transparent (1970)\" width=\"150\" height=\"150\" srcset=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Language-Is-Not-Transparent-copy-150x150.jpg 150w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Language-Is-Not-Transparent-copy-300x300.jpg 300w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Language-Is-Not-Transparent-copy-768x768.jpg 768w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Language-Is-Not-Transparent-copy-1024x1024.jpg 1024w, https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/02\/Language-Is-Not-Transparent-copy.jpg 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p><span style=\"font-weight: 400\">Les questions philosophiques dans cette unit\u00e9 traitent le sujet de l\u2019art conceptuel et en particulier l\u2019utilisation du langage dans un m\u00e9dium qui, traditionnellement, est con\u00e7u comme non-linguistique et imagistique. <\/span><\/p>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/conceptual-art\/\">https:\/\/plato.stanford.edu\/entries\/conceptual-art\/<\/a><\/p>\n<p><a href=\"https:\/\/philosophynow.org\/issues\/108\/The_Hard_Case_of_Duchamps_Fountain\">https:\/\/philosophynow.org\/issues\/108\/The_Hard_Case_of_Duchamps_Fountain<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/photography\/\">Unit\u00e9 6: La photographie<\/a><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-458 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Alfred-Steiglitz_Georgia-O\u2019Keefe_1923-1-150x150.jpg\" alt=\"1. What features of this photographic portrait stand out for you? 2. Does this photograph contain an expression of the photographer\u2019s attitude towards its subject? 3. What does the photograph convey about the person portrayed in it? 4. How does learning that the person in the photograph is the photographer\u2019s wife change your understanding of it if at all?\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-467 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Edward-Burtynsky_Nickel-Tailings-30-Sudbury-Ontario_1996_-150x150.jpg\" alt=\"1. What elements of this photograph stand out for you? 2. Do you think this photograph is beautiful? 3. What attitude do you think the photographer has towards nature? 4. How does finding out that the intense colors in this photograph are due to toxic chemicals that have been dumped onto the land?\" width=\"150\" height=\"150\" \/>\u00a0 \u00a0 \u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-468 size-thumbnail alignnone\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-content\/uploads\/sites\/321\/2016\/09\/Maya-Daren_Portrait-of-Carol-Janeway_1943-150x150.jpg\" alt=\"1. Is this photograph realistic? 2. How do you think it was made? 3. What is the significance of the fact that this photograph is composed of two different images? 4. Is this photograph a trick? 5. Does it convey something specific about the sitter?\" width=\"150\" height=\"150\" \/><\/p>\n<p><span style=\"font-weight: 400\">Deux probl\u00e8mes sont discut\u00e9s dans cette unit\u00e9e. Le premier est sur la nature du r\u00e9alisme et si la photographie est fondamentalement une forme d\u2019art r\u00e9aliste. Le deuxi\u00e8me est sur la nature de la reproduction num\u00e9rique, le style dominant de l\u2019art contemporain.<\/span><\/p>\n<h5>Le r\u00e9alisme<\/h5>\n<p>Kendall Walton, \u201cTransparent Picture: On the Nature of Photographic Realism,\u201d Critical Inquiry, Vol. 11, No. 2 (1984), 246-277.<\/p>\n<p>[This is an important article, but it is also difficult.]<\/p>\n<h5>L\u2019art num\u00e9rique<\/h5>\n<p><a href=\"https:\/\/plato.stanford.edu\/entries\/digital-art\/\">https:\/\/plato.stanford.edu\/entries\/digital-art\/<\/a><\/p>\n<h5>La photographie en g\u00e9n\u00e9ral<\/h5>\n<p><a href=\"https:\/\/philosophynow.org\/issues\/95\/The_Ontology_of_Photography_From_Analogue_To_Digital\">https:\/\/philosophynow.org\/issues\/95\/The_Ontology_of_Photography_From_Analogue_To_Digital<\/a><\/p>\n<p><span style=\"font-weight: 400\">[Philosophy Now est un magazine philosophique populaire.]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les unit\u00e9s sur ce site web utilisent les \u0153uvres d\u2019art pour introduire des sujets pour des discussions philosophiques. Un bon nombre d&#8217;enseignants ont demand\u00e9 de l\u2019aide pour parler des sujets de ces unit\u00e9s plus en profondeur. Cette page donne les moyens \u00e0 vos \u00e9l\u00e8ves d\u2019approfondir leurs id\u00e9es. La fa\u00e7on la plus \u00e9vidente de continuer et [&hellip;]<\/p>\n","protected":false},"author":264,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-876","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/users\/264"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/comments?post=876"}],"version-history":[{"count":2,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/876\/revisions"}],"predecessor-version":[{"id":1482,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/pages\/876\/revisions\/1482"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumfrench\/wp-json\/wp\/v2\/media?parent=876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}