{"id":248,"date":"2016-03-07T18:43:33","date_gmt":"2016-03-07T18:43:33","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/?page_id=248"},"modified":"2017-10-23T00:00:57","modified_gmt":"2017-10-23T00:00:57","slug":"sources","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/about\/sources\/","title":{"rendered":"Bildquellen"},"content":{"rendered":"

Portr\u00e4ts<\/strong>
\n<\/b>Matisse, Henri. <\/span>Femme au Chapeau (Woman with Hat)<\/span><\/i>. \u00a01905. Oil on canvas. 31 3\/4 in. x 23 1\/2 in.\u00a0<\/span>Collection SFMOMA<\/span><\/a>, San Francisco.<\/span><\/span><\/p>\n

Rijn, Rembrandt van. <\/span>Self Portrait.<\/span><\/i> 1660. Oil on canvas. 31 5\/8 x 26 1\/2 in. The<\/span> Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Sargent, John Singer. <\/span>Madame X<\/span><\/i>. 1883. Oil on canvas. 82 1\/8 x 43 1\/4in. The<\/span> Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Wiley, Kehinde. Michael Borges Study<\/em>. 2008. Watercolor, crayon on paper. 40 1\/8 in x 26 3\/8 in. Mount Holyoke College Art Museum<\/a>, South Hadley.<\/span><\/p>\n

Landschaften<\/strong>
\n<\/b>Hokusai, Katsushika .\u300c\u5bcc\u5dbd\u4e09\u5341\u516d\u666f\u3000\u795e\u5948\u5ddd\u6c96\u6d6a\u88cf\u300d<\/span>Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanj\u016brokkei)<\/span><\/i>. ca. 1830-32. Polychrome woodblock print; ink and color on paper. 10 1\/8 x 14 15\/16 in. <\/span>The Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Monet, Claude.\u00a0Landscape: The Parc Monceau.\u00a0<\/em>1876. Oil on canvas.\u00a023 1\/2 x 32 1\/2 in. The Metropolitan Museum of Art<\/a>, New York.\u00a0\u00a0<\/span><\/p>\n

Ruisdael, Jacob van. <\/span>A Landscape with a Ruined Castle and a Church<\/span><\/i>. c. 1665-70. Oil on canvas. 109 x 146 cm. <\/span>The National Gallery<\/span><\/a>, London, United Kingdom.<\/span><\/span><\/p>\n

Expressionismus<\/strong>
\n<\/b>de Kooning, Willem. Woman V. <\/i>1952\u201353. oil and charcoal on canvas 154.5 x 114.5 cm. \u00a0National Gallery of Australia<\/a>, Canberra.<\/span><\/p>\n

Munch, Edvard. The Scream<\/i>. 1893. Tempera and crayon on cardboard. 91 x 73.5 cm. The National Museum<\/a>, Oslo, Norway.<\/span><\/p>\n

Van Gogh, Vincent. Bedroom in Arles<\/i>. 1888. Oil on canvas. 72.4 cm x 91.3 cm. \u00a0Van Gogh Museum<\/a>, Amsterdam.<\/span><\/p>\n

Abstrakte Kunst<\/strong>
\n<\/b>Kandinsky, Vasily. <\/span>Circles in a Circle<\/span><\/i>. 1923. Oil on canvas. <\/span>38 7\/8 x 37 5\/8 inches.<\/span> \u00a0<\/span>Philadelphia Museum of Art<\/span><\/a>, Philadelphia.<\/span><\/span><\/p>\n

Mondriaan, Piet. <\/span>Victory Boogie Woogie<\/span><\/i>. 1942-1942. <\/span>Oil, tape, paper, charcoal, and pencil on canvas. 127.5 cm x 127.5 cm.<\/span> Gemeentemuseum Den Haag<\/span><\/a>, The Hague.<\/span><\/span><\/p>\n

Rothko, Mark. <\/span>Four Darks in Red<\/span><\/i>. 1958. Oil on canvas. <\/span>258.6 \u00d7 295.6 cm.<\/span> Whitney Museum of American Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Konzeptkunst<\/strong>
\n<\/b>Bochner, Mel. <\/span>Language is Not Transparent.<\/span><\/i> 1970. <\/span>Chalk on paint on wall. 72 x 48 inches.<\/span> Mel Bochner Archive<\/span><\/a>.*<\/span><\/span><\/p>\n

Kosuth, Joseph. <\/span>One and Three Chairs<\/span><\/i>. 1965. <\/span>Wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair”. Chair 32 3\/8 x 14 7\/8 x 20 7\/8″, photographic panel 36 x 24 1\/8″, text panel 24 x 30″.<\/span> Museum of Modern Art<\/span><\/a>, <\/span>New York.<\/span><\/span><\/p>\n

Magritte, Ren\u00e9. <\/span>The Treachery of Images (This is Not a Pipe).<\/span><\/i> 1929. Oil on canvas. <\/span>60.33 x 81.12 x 2.54 cm.<\/span> Los Angeles County Museum of Art<\/span><\/a>, Los Angeles.<\/span><\/span><\/p>\n

Fotografie<\/strong>
\n<\/strong>Burtynsky, Edward.\u00a0Nickel Tailings #30, Sudbury, Ontario<\/em>.\u00a0Chromogenic color print.\u00a039 15\/16 in x 60 1\/8 in. Mount Holyoke College Art Museum<\/a>, South Hadley.<\/span><\/p>\n

Daren, Maya. Portrait of Carol Janeway. 1943.\u00a0Gelatin silver print.\u00a012 3\/8 x 10 13\/16″. Museum of Modern Art<\/a>, New York.<\/span><\/p>\n

Stieglitz, Alfred.\u00a0Georgia O’Keeffe<\/em>. 1923.\u00a0Gelatin silver print.\u00a04 1\/4 x 3 1\/4″. Museum of Modern Art<\/a>, New York.<\/span><\/p>\n

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*Informationen zum Projekt<\/p>\n

Website Header Image: Connett, Wendy. Gallery in the Metropolitan Museum of Art.<\/em> Digital image. Time Out New York. Web.<\/span><\/p>\n

Informationen zum Projekt:<\/strong><\/span><\/p>\n

Absichtserkl\u00e4rung: Diese Website wurde f\u00fcr nicht-kommerzielle, p\u00e4dagogische \u00a0Zwecke entwickelt. \u00a0Es wurde sich sehr bem\u00fcht, den Gebrauch solcher Bilder vorzuziehen, \u00a0die derzeit \u00f6ffentlich zug\u00e4nglich sind und alle Bilder korrekt zuzuordnen, einschlie\u00dflich derjenigen, die noch unter dem Urheberrecht stehen. Schreiben Sie dem Autor eine E-Mail<\/a>, sollte Ihnen auffallen, das ein Bild gegen das Urheberrecht oder einen Spendervertrag verst\u00f6\u00dft. Die Bilder werden sofort entfernt, w\u00e4hrend dieser Hinweis untersucht wird.<\/p>\n

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Portr\u00e4ts Matisse, Henri. Femme au Chapeau (Woman with Hat). \u00a01905. Oil on canvas. 31 3\/4 in. x 23 1\/2 in.\u00a0Collection SFMOMA, San Francisco. Rijn, Rembrandt van. Self Portrait. 1660. Oil on canvas. 31 5\/8 x 26 1\/2 in. The Metropolitan Museum of Art, New York. Sargent, John Singer. Madame X. 1883. Oil on canvas. 82 […]<\/p>\n","protected":false},"author":264,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/pages\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/users\/264"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":3,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/pages\/248\/revisions"}],"predecessor-version":[{"id":1495,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/pages\/248\/revisions\/1495"}],"up":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumgerman\/wp-json\/wp\/v2\/media?parent=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}