{"id":248,"date":"2016-03-07T18:43:33","date_gmt":"2016-03-07T18:43:33","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/?page_id=248"},"modified":"2017-10-31T21:46:16","modified_gmt":"2017-10-31T21:46:16","slug":"sources","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/about\/sources\/","title":{"rendered":"Fuentes de la imagen"},"content":{"rendered":"

Los Retratos
\n<\/b>Matisse, Henri. <\/span>Femme au Chapeau (Woman with Hat)<\/span><\/i>. \u00a01905. Oil on canvas. 31 3\/4 in. x 23 1\/2 in.\u00a0<\/span>Collection SFMOMA<\/span><\/a>, San Francisco.<\/span><\/span><\/p>\n

Rijn, Rembrandt van. <\/span>Self Portrait.<\/span><\/i> 1660. Oil on canvas. 31 5\/8 x 26 1\/2 in. The<\/span> Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Sargent, John Singer. <\/span>Madame X<\/span><\/i>. 1883. Oil on canvas. 82 1\/8 x 43 1\/4in. The<\/span> Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Wiley, Kehinde. Michael Borges Study<\/em>. 2008. Watercolor, crayon on paper. 40 1\/8 in x 26 3\/8 in. Mount Holyoke College Art Museum<\/a>, South Hadley.<\/span><\/p>\n

Los Paisajes
\n<\/b>Hokusai, Katsushika .\u300c\u5bcc\u5dbd\u4e09\u5341\u516d\u666f\u3000\u795e\u5948\u5ddd\u6c96\u6d6a\u88cf\u300d<\/span>Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanj\u016brokkei)<\/span><\/i>. ca. 1830-32. Polychrome woodblock print; ink and color on paper. 10 1\/8 x 14 15\/16 in. <\/span>The Metropolitan Museum of Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Monet, Claude.\u00a0Landscape: The Parc Monceau.\u00a0<\/em>1876. Oil on canvas.\u00a023 1\/2 x 32 1\/2 in. The Metropolitan Museum of Art<\/a>, New York.\u00a0\u00a0<\/span><\/p>\n

Ruisdael, Jacob van. <\/span>A Landscape with a Ruined Castle and a Church<\/span><\/i>. c. 1665-70. Oil on canvas. 109 x 146 cm. <\/span>The National Gallery<\/span><\/a>, London, United Kingdom.<\/span><\/span><\/p>\n

El Expresionismo
\n<\/b>de Kooning, Willem. Woman V. <\/i>1952\u201353. oil and charcoal on canvas 154.5 x 114.5 cm. \u00a0National Gallery of Australia<\/a>, Canberra.<\/span><\/p>\n

Munch, Edvard. The Scream<\/i>. 1893. Tempera and crayon on cardboard. 91 x 73.5 cm. The National Museum<\/a>, Oslo, Norway.<\/span><\/p>\n

Van Gogh, Vincent. Bedroom in Arles<\/i>. 1888. Oil on canvas. 72.4 cm x 91.3 cm. \u00a0Van Gogh Museum<\/a>, Amsterdam.<\/span><\/p>\n

Arte Abstracto
\n<\/b>Kandinsky, Vasily. <\/span>Circles in a Circle<\/span><\/i>. 1923. Oil on canvas. <\/span>38 7\/8 x 37 5\/8 inches.<\/span> \u00a0<\/span>Philadelphia Museum of Art<\/span><\/a>, Philadelphia.<\/span><\/span><\/p>\n

Mondriaan, Piet. <\/span>Victory Boogie Woogie<\/span><\/i>. 1942-1942. <\/span>Oil, tape, paper, charcoal, and pencil on canvas. 127.5 cm x 127.5 cm.<\/span> Gemeentemuseum Den Haag<\/span><\/a>, The Hague.<\/span><\/span><\/p>\n

Rothko, Mark. <\/span>Four Darks in Red<\/span><\/i>. 1958. Oil on canvas. <\/span>258.6 \u00d7 295.6 cm.<\/span> Whitney Museum of American Art<\/span><\/a>, New York.<\/span><\/span><\/p>\n

Arte Conceptual
\n<\/b>Bochner, Mel. <\/span>Language is Not Transparent.<\/span><\/i> 1970. <\/span>Chalk on paint on wall. 72 x 48 inches.<\/span> Mel Bochner Archive<\/span><\/a>.*<\/span><\/span><\/p>\n

Kosuth, Joseph. <\/span>One and Three Chairs<\/span><\/i>. 1965. <\/span>Wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair”. Chair 32 3\/8 x 14 7\/8 x 20 7\/8″, photographic panel 36 x 24 1\/8″, text panel 24 x 30″.<\/span> Museum of Modern Art<\/span><\/a>, <\/span>New York.<\/span><\/span><\/p>\n

Magritte, Ren\u00e9. <\/span>The Treachery of Images (This is Not a Pipe).<\/span><\/i> 1929. Oil on canvas. <\/span>60.33 x 81.12 x 2.54 cm.<\/span> Los Angeles County Museum of Art<\/span><\/a>, Los Angeles.<\/span><\/span><\/p>\n

La Fotograf\u00eda
\n<\/strong>Burtynsky, Edward.\u00a0Nickel Tailings #30, Sudbury, Ontario<\/em>.\u00a0Chromogenic color print.\u00a039 15\/16 in x 60 1\/8 in. Mount Holyoke College Art Museum<\/a>, South Hadley.<\/span><\/p>\n

Daren, Maya. Portrait of Carol Janeway. 1943.\u00a0Gelatin silver print.\u00a012 3\/8 x 10 13\/16″. Museum of Modern Art<\/a>, New York.<\/span><\/p>\n

Stieglitz, Alfred.\u00a0Georgia O’Keeffe<\/em>. 1923.\u00a0Gelatin silver print.\u00a04 1\/4 x 3 1\/4″. Museum of Modern Art<\/a>, New York.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

*Permiso para usar esta imagen cortes\u00eda del artista.<\/p>\n

Imagen del encabezado del sitio web: Connett, Wendy. Gallery in the Metropolitan Museum of Art.<\/em> Digital image. Time Out New York. Web.<\/span><\/p>\n

Proyecto de informaci\u00f3n:<\/b><\/strong><\/span><\/p>\n

La Declaraci\u00f3n de Intento: El prop\u00f3sito de est\u00e1 p\u00e1gina web es para la educaci\u00f3n no commercial. Todos los esfuerzos ha sido para usar im\u00e1genes del dominio p\u00fablico y de atribuir im\u00e1genes \u00a0correctamente, incluyendo aquellos debajo los derechos de autor. <\/span>Mande un mensaje al autor<\/span><\/a> si encuentra una imagen en violaci\u00f3n de los derechos de autor, o en violaci\u00f3n del acuerdo de donantes. Imagenes seran eliminados durante la investigaci\u00f3n.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Los Retratos Matisse, Henri. Femme au Chapeau (Woman with Hat). \u00a01905. Oil on canvas. 31 3\/4 in. x 23 1\/2 in.\u00a0Collection SFMOMA, San Francisco. Rijn, Rembrandt van. Self Portrait. 1660. Oil on canvas. 31 5\/8 x 26 1\/2 in. The Metropolitan Museum of Art, New York. Sargent, John Singer. Madame X. 1883. Oil on canvas. […]<\/p>\n","protected":false},"author":264,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/users\/264"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":8,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/248\/revisions"}],"predecessor-version":[{"id":1613,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/248\/revisions\/1613"}],"up":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/media?parent=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}