{"id":637,"date":"2016-11-02T01:15:36","date_gmt":"2016-11-02T01:15:36","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/?page_id=637"},"modified":"2017-05-04T02:05:55","modified_gmt":"2017-05-04T02:05:55","slug":"portraits-philosophy-question-6","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits-philosophy-question-6\/","title":{"rendered":"Preguntas Filosoficas"},"content":{"rendered":"<p style=\"text-align: left\"><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits-1\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-26 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/wp-content\/uploads\/sites\/19\/2016\/02\/Madame_X_Madame_Pierre_Gautreau_John_Singer_Sargent_1884_unfree_frame_crop-e1456618115390-148x150.jpg\" alt=\"1.What strikes you most prominently about this portrait? 2. How do you think Sargent felt about Madame X? 3. Do you think this is a beautiful painting? What accounts for its beauty 4. If you discovered that this painting caused a scandal, how would that change your understanding of it?\" width=\"148\" height=\"150\" \/><\/a>\u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits-2\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-27 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/wp-content\/uploads\/sites\/19\/2016\/02\/Matisse-Woman-with-a-Hat-150x150.jpg\" alt=\"1. What features of this portrait stand out? 2. How do you think Matisse felt about the woman in the portrait? 3. If you discovered that the woman was Matisse\u2019s wife, how would that affect your understanding of the painting? 4. Is this painting beautiful? Is Mme. Matisse beautiful? Does that matter? \" width=\"150\" height=\"150\" \/><\/a>\u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits-3\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-410 size-thumbnail\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/wp-content\/uploads\/sites\/19\/2016\/02\/mh_2012_l3_v1-150x150.jpg\" alt=\"Michael Borges Study, Kehinde Wiley, 2008\" width=\"150\" height=\"150\" \/><\/a>\u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits-4\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-28 size-thumbnail\" title=\"Rembrandt\" src=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseum\/wp-content\/uploads\/sites\/19\/2016\/02\/Rembrant_Self-Portrait_1660-150x150.jpg\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p style=\"text-align: left\">6. \u00a0<span style=\"font-weight: 400\">Jean-Paul Sartre, el fil\u00f3sofo del Existencialismo, pens\u00f3 que \u201cla vista del otro\u201d siempre era para objetivar. Al ver estas obras de arte, \u00bfpiensa que pintores necesariamente objetivan a sus sujetos? \u00bfEs que siempre nosotros objetivamos a otros? \u00bfEs necesariamente malo? \u00bfEs que se puede decir lo mismo para un autorretrato? Justifica su respuestas. <\/span><\/p>\n<p>&nbsp;<\/p>\n<h5 style=\"text-align: right\"><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits-philosophy-question-7\/\">Proxima Pregunta \u2192<\/a><\/h5>\n<h5><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/portraits\/portraits-philosophy-question-5\/\">\u2190 Anterior<\/a><\/h5>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-content\/uploads\/sites\/340\/2016\/03\/Philosophy-@-The-Virtual-Art-Museum-Los-Retratos-SPANISH.pdf\">Haz clic aqu\u00ed para obtener la versi\u00f3n de est\u00e1 secci\u00f3n para imprimir.<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 \u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0 6. \u00a0Jean-Paul Sartre, el fil\u00f3sofo del Existencialismo, pens\u00f3 que \u201cla vista del otro\u201d siempre era para objetivar. Al ver estas obras de arte, \u00bfpiensa que pintores necesariamente objetivan a sus sujetos? \u00bfEs que siempre nosotros objetivamos a otros? \u00bfEs necesariamente malo? \u00bfEs que se puede decir lo mismo [&hellip;]<\/p>\n","protected":false},"author":264,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-637","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/users\/264"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/comments?post=637"}],"version-history":[{"count":2,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/637\/revisions"}],"predecessor-version":[{"id":1540,"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/pages\/637\/revisions\/1540"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/philosophyatthemuseumspanish\/wp-json\/wp\/v2\/media?parent=637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}