{"id":351,"date":"2026-07-26T13:44:01","date_gmt":"2026-07-26T13:44:01","guid":{"rendered":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/?page_id=351"},"modified":"2026-07-26T17:18:38","modified_gmt":"2026-07-26T17:18:38","slug":"publications","status":"publish","type":"page","link":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/publications\/","title":{"rendered":"Writing & Publications"},"content":{"rendered":"

Movement and Grief: Shah Noorani and Other Shrines,\u00a0<\/a>The Peshawar Review, 2026<\/p>\n

Floods of Grief<\/a>, Mount Holyoke Alumnae Quarterly, 2024<\/p>\n

AR Nagori’s Work as Historical Reference of Pakistan<\/a>, Youlin Magazine, 2024<\/p>\n

Whimsy as a Way of Making, Being, and Displaying<\/a>, Youlin Magazine, 2024<\/p>\n

Art Review: The ‘Mathematics of Composing Pretenses’<\/a>, Youlin Magazine, 2024<\/p>\n

Art Review: (In)Accessible Gardens at ArtSoch<\/a>, Youlin Magazine, 2024<\/p>\n

The sensorial and the sensual<\/a>, The News on Sunday, 2023<\/p>\n

Encasing Memories<\/a>, The Aleph Review, 2023<\/p>\n

a language where yesterday and tomorrow are the same word. Kal fragments from a collective archive \u2014 Twelve Gates Arts<\/a>, 2022<\/p>\n

Gallery – House of kal in Karachi – Goethe-Institut Sri Lanka,<\/a> 2021<\/p>\n

House of Kal Karachi, <\/a>\u00a02021<\/p>\n

Museumsportal Berlin – Exhibition \u2013 House of Kal,<\/a>\u00a02023<\/p>\n

Chennai Photo Biennale Foundation x 13 Jara collective – Les Rencontres d’Arles<\/a>, 2022<\/p>\n

Film Foundry – One Picture Exhibition<\/a>, 2022<\/p>\n

I AM | Tehreem Mela at Lakir Gallery Official<\/a>, 2021<\/p>\n

Students speak out with \u201cMount Holyoke Doesn\u2019t Teach Me\u201d photo project, <\/a>\u00a02019<\/p>\n

Local Internationals Podcast<\/a>, 2019<\/p>\n

Exhibition of Five College Student Artwork To Open at Hampshire College Art Gallery<\/a>, 2018<\/p>\n

TAG: Do You Mind?<\/a>, 2016<\/p>\n

\u00a0\u00a0<\/span>\u00a0\u00a0<\/span>\u00a0<\/span>\u00a0\u00a0<\/span>\u00a0\u00a0<\/span>\u00a0 <\/span>\u00a0 <\/span><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Movement and Grief: Shah Noorani and Other Shrines,\u00a0The Peshawar Review, 2026 Floods of Grief, Mount Holyoke Alumnae Quarterly, 2024 AR Nagori’s Work as Historical Reference of Pakistan, Youlin Magazine, 2024 Whimsy as a Way of Making, Being, and Displaying, Youlin Magazine, 2024 Art Review: The ‘Mathematics of Composing Pretenses’, Youlin Magazine, 2024 Art Review: (In)Accessible … <\/p>\n

Continue reading “Writing & Publications”<\/span><\/a><\/p>\n","protected":false},"author":887,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-351","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/pages\/351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/users\/887"}],"replies":[{"embeddable":true,"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/comments?post=351"}],"version-history":[{"count":10,"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/pages\/351\/revisions"}],"predecessor-version":[{"id":370,"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/pages\/351\/revisions\/370"}],"wp:attachment":[{"href":"https:\/\/commons.mtholyoke.edu\/tehreemmela\/wp-json\/wp\/v2\/media?parent=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}